The article focuses on Jāzeps Grosvalds, a prominent Latvian painter known for his deep engagement with and appreciation for music across different genres. It discusses how Grosvalds was not only an accomplished artist but also a music enthusiast who regularly attended concerts and operas. His involvement in music facilitated connections across diverse groups, from the elite circles in Paris to British army expedition members en route to Mesopotamia.

The piece dives into Grosvalds' personal reflections on music during his youth, particularly his admiration for renowned composers such as Wagner, Tchaikovsky, Strauss, Borodin, and Musorgsky. Despite being passionate about Wagner's work, Grosvalds made a distinction by identifying himself as an enthusiast rather than a strict adherent of Wagnerian ideology. His favorite opera, Tristan und Isolde, is noted as his emotional touchstone, demonstrating the significant impact music had on his artistic expression and creative process.

By examining Grosvalds' musical inclinations, the article contributes to a broader understanding of how interwoven the arts are, especially during the era in which he lived. It suggests that Grosvalds' musical preferences may have influenced or mirrored his artistic endeavors, highlighting the importance of cross-disciplinary appreciation in enhancing cultural dialogues and the arts in society.