The article discusses the enduring relevance and vitality of Ray Lawler’s classic Australian play, Summer of the Seventeenth Doll, as it prepares for a revival by the Red Stitch Theatre company.
The article explores how classic plays, particularly Ray Lawler's Summer of the Seventeenth Doll, often carry outdated perceptions that can diminish their impact in contemporary society. Despite its 1955 debut, which revolutionized Australian theatre by authentically portraying working-class life, the play is sometimes viewed as outdated or overly romanticized. The notion of it being a 'museum piece' can overshadow its original intent and emotional depth.
The St Kilda-based theatre company Red Stitch's upcoming revival of the play, alongside others from the Doll Trilogy, challenges these preconceived notions. Director Ella Caldwell emphasizes that while historical discussions often elevate these plays to a narrative of national transformation, the plays actually focus on specific, relatable experiences of life within a particular community. The revival aims to reconnect with the genuine human experiences that Lawler presented, rather than the grand, exaggerated themes often associated with classic works.
By bringing Summer of the Seventeenth Doll back to the stage, Red Stitch invites contemporary audiences to rediscover the play's vibrancy and relevance. This production looks to celebrate the authentic spirit that first captivated audiences, ensuring that the work continues to resonate with today's viewers and maintain its place in Australia’s cultural landscape, even after 70 years since its inception.
