Following a controversy regarding the future of José de San Martín's corvo saber, an artist from Rosario has intervened in a statue of the general located at Campo de la Gloria in San Lorenzo, Santa Fe. The artist, identified on social media as @joaquines.ar, painted a blue tear on the statue's face as a form of artistic expression and criticism, coinciding with the recent visit of prominent Argentine political figure Javier Milei. This act has sparked a range of public reactions, underscoring the ongoing debates about national symbols and their representation.

The intervention comes on the heels of the Argentine government's decision to relocate the historic saber from the Museo Histórico Nacional to the Granaderos Regiment at the Cuartel de Palermo. This decision has been controversial, with many citizens and historians debating the appropriate display and symbolism associated with such national artifacts. The saber, closely linked to San Martín's legacy as a liberator, represents deep-rooted national pride and identity in Argentina, making its relocation a matter of significant public interest.

This artistic act serves not only as a commentary on the saber's relocation but also raises broader questions about the management of historical symbols in contemporary society. As the debate continues, the statue of San Martín and the new blue tear may come to symbolize a deeper divide in perceptions of national heritage and the responsibilities associated with preserving history in a modern context.