In a conversation with La Nacion, Pepe Cibrián, who identifies as the 'king' or 'father' of the Argentine musical, reflects on his journey and the current state of theater in Argentina. He emphasizes that his title comes not from arrogance but from dedication and persistence, as he championed the genre when it was not widely accepted. After facing early setbacks, including initial failures of his debut work 'Aquí no podemos hacerlo,' he credits a pivotal newspaper review for turning the tide and attracting audiences to his productions.

Cibrián's significant contributions began with the 1978 premiere of his first major success, and he has continued to influence the musical landscape through creation and education. He expresses a deep desire to pass on not just technical skills but also the passion and discipline necessary for theatre, highlighting his commitment to mentoring the younger generation of performers. His desire to be a parent remains a certain unrealized dream, adding a personal touch to his reflections, which blends his professional life with personal aspirations.

The article sheds light on the evolving dynamics of Argentinian theater, where Cibrián remains a pivotal figure. The revival of his early works, alongside contemporary productions, illustrates the changing perceptions and growing appreciation for the musical genre in Argentine culture. His narrative is not just about success; it also encompasses the trials he faced along the way, including political and social challenges that have impacted the performing arts in Argentina.