Stage diving, headbanging: An encore explanation of inexplicable rock traditions
The article explores various inexplicable traditions in rock music, including the concept of encores and their historical significance.
The article revisits a column written in 2024 that delved into some of the whims of rock culture, questioning the origins and significance of various traditions within the genre. It begins by revisiting some common rock questions regarding terminology, the stature of musicians, and odd crowd behaviors, setting the tone for a deep dive into the practice of encores. The encore tradition itself is explored, highlighting its historical context dating back to the 18th century before the advent of recorded music, when live performances were the main source of music consumption for audiences.
The author examines the phenomenon of encores, acknowledging the almost scripted nature of the performance when bands leave the stage and the crowd erupts with enthusiasm, demanding more. While audiences know the band will return, the article questions the purpose behind this ritualistic departure. This behavior is analyzed as part of a broader rock tradition, where the drama and anticipation of a potential encore contribute to the overall concert experience, making it a critical element in live music.
Finally, the piece reflects on the collective experience of live music and how these traditions, while seemingly unnecessary, become integral parts of what fans cherish in rock culture. From stage diving to familiar shouts from the crowd, these quirks add to the excitement and mystique of live rock performances, securing their place in the hearts of rock lovers.