The film titled 'Triegel trifft Cranach,' which translates to 'Triegel Meets Cranach,' aims to showcase the artistic struggles surrounding the restoration of the Cranach altar, partially destroyed during the iconoclasm in 1541. While the title suggests a neutral documentary, the film delves deep into the complexities and conflicts faced by contemporary artist Michael Triegel over the past five years as he worked on this vital piece of art located in Naumburg Cathedral. It captures not only the physical relocation of the altar but also the cultural disputes at play, notably the absurd criticisms from ICOMOS regarding its presentation.

Beyond mere documentation, Paul Smaczny's film represents a passionate homage to the intricate dance between historical art and modern interpretation. It provides a nuanced perspective on artistic heritage, revealing the layers of conflict involved in creating something that honors the past while also being relevant to contemporary audiences. The detailed account of the altar’s journey—from its home in the Naumburg Cathedral to its various exhibitions, including a notable presentation in the Vatican—mirrors current debates about the representation of historical artifacts in modern contexts.

This documentary does not shy away from the controversies surrounding the altar's presentation, particularly those raised by Protestant advocates, which adds a compelling layer to the narrative. By intertwining interviews, behind-the-scenes glimpses into the creation process, and a rich visual exploration of the artwork, the film makes a significant statement about the importance of art in navigating historical narratives and cultural identity.