The controversy surrounding the relocation of General José de San Martín's saber has intensified, especially with reports of Javier Milei's supporters engaging in confrontational rhetoric. Inés Rodríguez Aguilar, the former director of the National Historical Museum, recounted an incident where young followers of Milei sang to her about removing the saber that Cristina Kirchner had given. This highlights not only a personal clash but also the political tensions underpinning the heritage management in Argentina.

Rodríguez Aguilar elaborated on the implications of this incident, stating that the saber's relocation has caused a resurgence of factionalism, conveying a sense of ownership and custodianship over national heritage that is deeply intertwined with political identity. The saber, a significant historical artifact, has become a symbol in the ongoing political discourse, where heritage, identity, and governance are at stake. The events reflect the broader political landscape in Argentina, marked by divisions and the ongoing struggle for control over national narratives.

As the story develops, it raises questions about the role of cultural institutions in political debates and what this means for Argentina's collective memory. The emerging conflict demonstrates the precarious balance between political expression and the preservation of national history, and how both can clash in public discourse, especially in charged political contexts.