This article delves into the influential legacy of Alfred Hitchcock, a filmmaker who, despite passing away in 1980, remains the most studied director in cinematic history. With nearly 200 books written about him—including over 100 in French—Hitchcock's work has spurred countless discussions, from his preference for blonde actresses to the religious undertones found in his films. The author reflects on the depth of analysis available today, contrasting it with the initial skepticism he faced, particularly from American critics.

Despite his innovative storytelling and directing, Hitchcock was often dismissed by American critics as a mere entertainer and manipulator of audiences until the 1970s. In stark contrast, critics in France and Brazil recognized his genius much earlier, having appreciated the intricacy of his films and the uniqueness of his cinematic voice. This international appreciation set a precedent for analyzing his contributions far beyond what American critics acknowledged at the time.

Today, Hitchcock has secured his place as a cultural icon, with his works and influence permeating various facets of film studies and criticism around the globe. The article emphasizes the importance of reassessing Hitchcock's legacy, noting that the initial underestimation of his impact has led to a richer discourse about cinema that transcends national boundaries.