Cinema is political, says Karim Aïnouz, after controversy at the Berlin Festival
Filmmakers Karim Aïnouz and Eliza Capai express their disbelief at the Berlin Festival jury's decision to distance itself from political statements, with Aïnouz critiquing jury president Wim Wenders for his remarks.
Berlinale Competition: Here is a Woman the Best Man
The article discusses the opening weekend of the Berlinale film festival, highlighting Sandra Hüller's standout performance and the ambiance of the event.
In Berlin, Karim Aïnouz portrays an American family to dissect patriarchy
Karim Aïnouz's film 'Rosebush Pruning', showcased at the Berlin Film Festival, explores the complexities of family dynamics and patriarchal structures within an American family living in self-imposed exile in Catalonia.
Rosebush Pruning: Karim Aïnouz is disoriented by the path taken by Yorgos Lanthimos in a satire as silly as it is seductive
Karim Aïnouz struggles to find clarity in a satirical take reminiscent of Yorgos Lanthimos's style, exploring the fine line between absurdity and attraction.
Karim Aïnouz films resentful patriarchy and sees cinema tension in 'The Secret Agent'
Karim Aïnouz discusses his upcoming film 'The Secret Agent', reflecting on Brazilian cinema's glory moments and its potential return to international relevance.